The following is the full text of the presentation prepared by our co-editor Keith Bennett for our April 12 webinar on the subject of ‘Socialist Chinamaxxing: How China’s achievements are a product of socialism’. Due to time constraints, Keith previously delivered an abbreviated version of his remarks. The livestream of the webinar and videos of all the speeches as delivered can be viewed here. The video of Keith’s speech is embedded below the text.
We’ve heard some excellent speakers on the present trend of Chinamaxxing.
For my part, I’m going to attempt to give a certain historical and comparative perspective. Going back to the 1960s and 70s. And therefore, if you like, making a case that what we see today is at least Chinamaxxing 2.0, even if the term itself didn’t previously exist.
My focus here is on the cultural and intellectual rather than the party political. Although the background and context are inevitably political.
The late 1960s and 70s were a time of great change in China. Political life was still in tumult, but the mass mobilisations of the Cultural Revolution abated and were curtailed. A stridently revolutionary foreign policy gave way to handshakes between Chairman Mao and President Nixon. And a procession of other western political leaders generally from the right of the political spectrum, such as Britain’s Edward Heath.
But what remained at the time was a sense that China was a remote and somewhat mysterious place. Literally a world away from the West. Few people went there. Besides political considerations on both sides there were also objective factors. Social media and mobile telephony simply did not exist. As late as the mid-1980s, the London-Beijing flight with BA was London-Rome-Bahrain-Hong Kong-Beijing.
Yet the fascination for China in important sectors of western societies belied and overcame the physical and mental remoteness.
The political seeped into the cultural and each impacted on the other.
Barely two months after France had been shaken by the events of May 1968, and four months after demonstrators protesting the American war in Vietnam had clashed with police outside the US embassy in London, the Beatles recorded a track entitled Revolution, composed by John Lennon. Initially released as the B side to the single Hey Jude, it includes the lines:
But if you go carryin’ pictures of Chairman Mao
You ain’t gonna make it with anyone anyhow
Apparently, this was a late addition to the words, being added in the studio, but Lennon said in a promotional clip that he regarded them as the song’s most important lyrics.
They may have been meant to express disapproval, but he had certainly noticed the phenomenon. Moreover, they encountered a backlash.
New Left Review dismissed the song as “a lamentable petty bourgeois cry of fear.” But by January 1971, in a conversation with Tariq Ali, Lennon said of the song: “I made a mistake, you know. The mistake was that it was anti-revolution.” The following year, he remarked: “I should have never said that about Chairman Mao.”
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